It was good to see Sam Raimi dipping his toes into the horror pool again with Drag Me to Hell. Even better to see the great Alison Lohman headlining a film. She's had me since White Oleander and secured my eternal loyalty by stealing Matchstick Men. I'm glad that Sandra Bullock's career hasn't gone south like, say, Meg Ryan's, but I still ain't gonna watch The Proposal. One of the summer's biggest flops was Land of the Lost, and yet I still laughed quite a bit when I saw it. Such is the allure of Will Ferrell: he either works for you and you don't care or you don't care. If you haven't acquainted yourself with the films of Atom Egoyan, start acquainting! Adoration isn't up to the level of Where the Truth Lies or Exotica, but it's worth your time.
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In an instance of fitting justice, Pixar's Up, uh, ballooned past expectations to pull in a mammoth $68.2M and easily top the weekend box office chart. Night at the Museum 2: Needless Sequel lost more than half its audience from last week's debut, but still managed to earn $25.5M ($105.2M). The week's other newcomer Drag Me To Hell scared up $16.6M worth of business to edge a plummeting Terminator Salvation ($16.1M/$90.6M). Meantime, the reliable Star Trek continued to plug along at a good pace ($12.8M/$209.5M).
I'm not sure how much more I can write about Up that I didn't relate in my review from yesterday. Simply put -- go see it! Unless you're a misguided fool like Armond White, you'll love it. Nice to see Sam Raimi taking a dip back into the horror pool with Drag Me to Hell (although the PG-13 rating is chickenshit). I'll never understand why Alison Lohman isn't a bigger star. Watch her in Where the Truth Lies and tell me she isn't fantastic.
